Performers

ANNA ZAWISZA

Soprano, graduate of the Faculty of Voice and Drama at Kraków’s Academy of Music. In 2004 she received a Minister of Culture scholarship. She developed her vocal skills with Ingrid Kremling, Neil Semer, Kai Wessel, Charles Daniels, Olga Pasichnyk, and Vincent Dumestre. She focuses on early and contemporary classical music, collaborating as a soloist and chamber musician with such ensembles as the Gabrieli Consort, Le Poème Harmonique, Vox Luminis, Collegium 1704, Vasa Consort, Cappella Neapolitana, and Capella Cracoviensis. She performs widely in Poland and abroad, with appearances at such festivals as Misteria Paschalia, Opera Rara, Festival de musique baroque d’Ambronay, Festival Oude Muziek Utrecht, and Wratislavia Cantans.

She has appeared under the baton of such outstanding conductors as Paul Goodwin, Andrew Parrott, Antonio Florio, Václav Luks, Vincent Dumestre, Ottavio Dantone, and Fabio Bonizzoni. She has taken part in many studio recording sessions, for instance of theatre music for Don Nigro’s Lucia Mad (dir. Magdalena Piekorz) and Mrożek’s The Carnival, or Adam’s First Wife (dir. Bogdan Ciosek), both premiered at The Juliusz Słowacki Theatre in Kraków, the CD Musical Treasures from Łańcut, four albums with newly discovered music from Jasna Góra Monastery for the Musicon label, as well as the recording of Agata Zubel’s dramopera Oresteia, and the project Mikołaj Gomółka. Melodies for the Polish Psalter. Opera Omnia, under the direction of Agnieszka Budzińska-Bennett
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