When cinema’s great visionary Francis Ford Coppola is calling – the director of The Godfather and Apocalypse Now – who would hang up on him? Wojciech Kilar took up the offer of cooperation, which resulted in his soundtrack (now of cult status) for the tale of the Transylvanian monster whose love was a bit too strong. Years later, this pathetic-lyrical cantata for mixed choir and symphony orchestra has been turned inside out by pianist Piotr Orzechowski and saxophonist Kuba Więcek. The album THEMES OF DRACULA, comprising deconstructed themes from Dracula, will go into distribution as of 19th August, as part of the catalogue of PWM Edition’s label ANAKLASIS.

“I’ve focused on chamber music in order to bring out as much colour in the violin itself and its changing sound as possible,” says virtuoso Adam Bałdych about his vision of Wieniawski’s music. Frankfurter Allgemeine Zeitung called Bałdych “technically the most accomplished violinist of our time”. Technical proficiency and thorough education (which includes an honours degree from Katowice’s Academy of Music and a scholarship to Berklee College of Music) do not stop Bałdych from taking an unorthodox approach to the time-honoured music of old masters.

There are plenty of ideas for how to play Chopin, ‘iron rules’ for Chopin performance, and hypotheses concerning possible ways of interpretation. In the 3CD-box FRYDERYK CHOPIN – PIANO CONCERTOS / ÉTUDES / CHAMBER WORKS from ANAKLASIS we present treasures from archive recordings: a veritable pageant of artists who made the history of 20th-century Polish pianism.